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The passage emphasizes the influence that early blues had on later genres. The genres that emerged following blues gave rise to a new culture in the wake of each respective era. The essence of American folk music fused with early blues was generally political and influenced by social movement. Folk music was known to be in association with “left wing extremists” and continued to uphold this stigma in the 1950s until the introduction of “The Kingston Trio”. However, the artists that followed the Kingston Trio upheld the original stigma Following the civil rights movement , it was more so associated with the artists personal expression rather targeting an audience with similar political beliefs.
As Rock spread through America, Blues began to hit a different market. Blues music began to infiltrate the streets of Britain, becoming well known to Jazz artists and fans. The introduction of Muddy Waters in 1958 astonished the British audience when his revelation of electric blues took the country by storm. The last of blues in Britain remained until the last 1960s. Nevertheless, the remaining bands used their experience in the electric blues genre as a leeway to rock music.
Soul music is an essential genre that includes fragments of “African-American blues, gospel music, rhythm and blues and jazz”. Soul music provided the American community with a sense of identity; it represented their plight towards freedom and the hardship of their journey, similar to the journey of blues.
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